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Video Lighting Techniques That Will Improve Your Video Quality

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Lighting is the most integral aspect of making a good video, it makes your video to come out at its best quality.
You cannot make quality video with out or poor lighting, this is the reason why you need to invest into lighting gear that you need. yes, lighting gear that you need in the sense that you do not need to go over board to light your video on any budget.
There are basic techniques that needs attention while choosing to light your video: This are Light set up, Ambience, Light source, Light color, Color temperature.
As you develop your lighting skills, consider the following tips:
1.When shooting in a darkroom, block all source of natural light either reflection through the window or ray of light coming from the door. Use gaffer tape to cover the window, This will enable you to detect light positioning on the scene and hence proper control.
2. Shooting under over head lighting is not always advisable to avoid ‘raccoon eye’ shadowing but if you are shooting some kind of epic or mood video it might serve as some form of effect.
3. If shooting interview, soft flat light is advisable that will evenly chase away all the shadow because harsh light that gives shadow tells a different story.
4. Lighting position must be in front of the camera irrespective of how far or near you intend to place them. do not place your light behind the camera.
5.When using any light always remember that the larger the light source, the softer the light and the softer the light the more evenly the light spread, this is a simple principle
Our camera sees lighting a lot different and there can be only two need for lighting our video works, Is ether the lighting is not enough or the lighting is too much and needs to be reduced. Let begin by learn most applicable lighting method that can be use on any visual works from photography to video production, this is called The 3 point lighting.

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reflector effect
The 3 Point Lighting Technique
Like i earlier mention, in any kind of visual creative work or media work that require lighting from photography to film making, The 3 point lighting techniques is extremely versatile and the will chase away any form of shadow produce by the light. As the name implies: 3 point lighting, this techniques can be categories into 3 light formation or triad element which is 1.Key light 2. Fill Light 3. The back light.
The Key Light
Key light is the main light or the light that you position first because the position of the key light will determine where other light will be placed and it mostly the brightest of the light to be use in the 3 point lighting method.This is just a lead light which intensity and how lit determines the control of other light and adjusted to blend with the key light.
The Fill Light
The fill light is set next after the key light, it is the shadow chaser that fill in the shadow, its normally position opposite the key light. For instance if you place your key light at may be 7′ O’clock then your fill light must be at 5 o’clock more like at an angle of say 45 degree for key light to angle 60 or 70 degree for fill light. Position your fill light to work more like a flood light than a spot light and it does not have to compete with key light in term of brightness or intensity, you must adjust it to serve its purpose which is to fill in any shadow.




The Back Light
The back is placed at the back of the subject farther away such that it will separate the subject from the background and it add a feel of depth when the shot is been taken, The back light must not be the same intensity with the key light, you can make it half of the key light. You can add a color to the feel of light by using yellow or orange color light gel to diffuse it to give it a more colorful back light feel.
In a situation where you have less than 3 lighting gear, this is what you will do to still achieve the 3 point lighting: If you have two light, simply use one as the key and the other as either fill or back-light. If you have one light, you left with no choice than to use it as your key light or you endeavor to use your reflector as the key and the other as back-light so that your reflector will bounce back some considerate light reflection back to the subject.

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Cinematography

How To Create A Video Studio From Low To High Budget

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Creating a professional Video studio might cost thousands to millions of dollars investment depend on how professional you want to go in setting up and not every one could afford investing so huge especially for startups creative mind. But the truth remains that you can make your dream of creating your own video studio becomes a reality with little bucks of dollar investment and still work like a pro.
In this article, we are going to learn from Ashley Hockney is the Content Marketer & Writer at Teachable as she discuss the two options of creating your own video studio from a low budget as well as upgrading your budget. (more…)

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Cinematography

How to shoot a film look video with smoke or fog machine

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Utilizing smoke or fog machine can be to a great degree gainful in circumstances where you tend to utilize different light sources that will be obvious in your shots, yet there are numerous different occasions where this method may likewise prove to be useful.

One of the essential takeaways worth saying here is the way that you would prefer not to exaggerate with the mist, as this is one of the simplest approaches to destroy your shot. You additionally need to spread the dimness uniformly all through the room, utilizing some kind of fan, and make it undetectable in camera and to your crowd.

Notwithstanding including a touch of haze can definitely enhance the vibe of your shot, particularly in low light circumstances where utilizing just several light sources will be all that could possibly be needed to create a staggering Spielberg-style symbolism.

The uplifting news is that haze machines are a to a great degree moderate bit of gear and an awesome beginning stage. You can undoubtedly get one for around 50-100 dollars or somewhere in the vicinity, contingent upon the fluid that you will utilize.

In the event that you need to plunge your toes in the water and spend some additional money for a more expert instrument you can get a hazer, that disperses a more slender more imperceptible murkiness contrasted with a customary passage level haze machine.

Hazers are intended to run consistently and are generally constantly prepared go while a mist machine discharges blasts of haze and afterward for the most part need to stop to warm

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At last, there are such a variety of looks that you can accomplish using either a haze machine or hazer that I urge you to get one and do some test all alone. I’m almost certain that you will be more than astounded by the plenty of elaborate, specialized, and tasteful outcomes you can get, regardless of on the off chance that you will shoot a sunshine inside or some dreadful low-light scene.

Atmosphere Aerosol enables photographers and filmmakers to quickly, easily, and safely create fog or haze for photos and film.

How To Use Atmosphere Aerosol
– Shake can well before using.
– Spray in room or still area for 20 seconds or more.
– Atmosphere Aerosol will linger in the air for minutes for photos and films.
VERY IMPORTANT! Back lighting is required to see haze or fog. Position and amount of light will determine the look of the fog or haze.
– Re-spray as needed.

Tips for Shooting Outdoors

Spray Atmosphere Aerosol in the air behind the subject, so it will spread out evenly throughout the scene. If there is a breeze, spray Atmosphere into the wind in order to disperse the haze as it travels downwind.

Tips for Shooting Indoors Using Natural Light

The shooting indoors with natural light coming through the windows. The air was still, the windows should be closed, Do not put on fans or air conditioning vents. Something to look for when using Atmosphere Aerosol indoors with natural light is direct light hitting the wall or floor.

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Position your subject or subjects and spray Atmosphere Aerosol into the light. The position of the light and the amount of Atmosphere Aerosol used will determine the look of the haze.

Tips for Shooting With Artificial Light

You can create the illusion of the sun with a light source (i.e., speed light, strobe, or video light).

Color gels can also add creativity to your photos
You can improvised lightning into the barn wall in order to cut and shape the light into rays.

How Atmosphere aerosol works and tips as advised by Aerosol. Find more answers to possible question about atmosphere aerosol here

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How to create a dynamic cinematography depth

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How would you make profundity when you’re working with a two-dimensional medium?

One of the principal things you find out about when examining cinematography is organization, and one of the primary things you find out about creation is essential stylish hypothesis: symmetry versus asymmetry, vitality, shading, weight, vertices, and so forth. At that point, some place close to the end of the class, the back of your course book, the last two minutes of the workshop, you catch wind of profundity – not on the grounds that it’s insignificant, but rather on the grounds that making it takes somewhat more artfulness than focusing your subject in the edge.

The best cinematographers are known for (in addition to other things) making the deception of profundity by utilizing various astute procedures and here to separate five of them in this 3-minute video is honor winning business cinematographer Matthew Rosen.

Here are the methods Rosen clarifies in his video:

High Differentiation Lighting

Great lighting can not just add measurement and profundity to your arrangements, however it can make your film resemble a million bucks. As Rosen says in the video, delicate, notwithstanding lighting has a tendency to straighten pictures, while lighting with harsher shadows with quick falloff tends to give the figment of profundity. For cases of this sort of lighting, you can’t get any more exceptional and obvious than film noir, who made chiaroscuro lighting one of its numerous trademarks.

Center

We’re talking shallow profundity of field here – a similar impact that happens when your eyes concentrate on something near you. Normally, when we see this on-screen, our brains decipher it as profundity. (Be that as it may, profound profundity of field doesn’t, by complexity, recommend absence of profundity. Gregg Toland, for instance, expertly plays with profound concentration in the notorious shot in Resident Kane.)

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Point of view

In case you’re a professional and have any sort of experience, you realize that utilizing shallow profundity of field is somewhat – well – we should simply say it’s the thing you do the most when you first get your hands on a camera with a decent focal point. When you develop as a movie producer/cinematographer, you understand that you must get your hands grimy, get somewhat innovative, move around – um – change your point of view. The colossal thing about this procedure, is that it makes profundity, as well as it raises the tasteful vitality of a piece. Utilizing a wide range of vertices makes the shot a great deal more dynamic.

Parallax

Like point of view (a high differentiation lighting, as well), the parallax impact serves to make profundity, and in addition to make the shot more dynamic. It does this by including “dynamic vitality” – tasteful vitality made by moving the camera. A static shot includes close to nothing (assuming any) tasteful vitality to a shot, yet a moving camera can transform what was at one time a drilling still shot into a scene that pulls your gathering of people in. Actually, it’s frequently said that including a moving camera and moving subjects (e.g. individuals, autos, and so forth.) is the condition for high dynamic – and in this manner tasteful – vitality. At the end of the day, on the off chance that you move your camera around individuals and things that are likewise moving, your shot will presumably look wonderful.

Impediment

A similar thing that happens in the characteristic world – things that are nearer to our eyes shut out things that are further when they go before them. Basic as pie – however the possibility of utilizing this impact may not be as evident when arranging your shots in pre-creation.

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There are numerous more strategies you can use to make profundity, yet ideally these five will at any rate kick you off making more dynamic shots.

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