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Using Drone To Shoot An Outstanding Video

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Technology has developed to change our ways of life, Gadget we are using and even how we do a lot of things in a more better and improved way, thanks to innovation in technologies.
Video Production with the use of drone is a great innovation that has change the face of video production. With the use of drone, we can now deliver aerial video footage that bring more professional touch and higher quality epic shots to our video shooting.
Hardly you will watch movie and music video this day without the use of drone shots, in fact, If you’re looking to create an effective corporate video production for either commercials or corporate events, Drone shots will definitely add to the visual amazement of telling your story.
Therefore, it is high time to invest in a drone camera to enhance and add more to your filming techniques, Yes a trending way that will give you an extra edge as a Cinematographer, Videographer or photographer.
In this article, lets discuss about tips that will make a quality and cinematic shot with your drone camera:
Drone Camera Settings
Proper camera settings will add the expected and desire visual feel to your footage. Use a flat image profile settings, this will give you the most dynamic range from your aerial camera. This will enhance detail filming of cloudy, blurred and unclear points of the ground.
Try and lower your shutter speed when shooting at a close range to the ground, to avoid the strobing effect. keep your shutter speed down by using an ND filter if needed to . You will get a sharper frames if you Shoot at 500th or 100th of a second, the common frame range among drone cameras but there is possibility of strobing so will advice to do a test shooting to know the best shooting frame for your drone camera.

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360 method of drone
Time Of Shooting
The time of shooting with your drone camera could enhance or disrupt your shooting plan and the outcome of your production. I m sure you will want to fly on clear and not cloudy days, and you’ll want to avoid any rain, misting or heavy fog as this will affect your location settings as well as props. So i will advice you to avoid trying to get any of your drone shots on a windy day. If you have any cause to fly on a windy day,don’t fly when the winds are over 20 mph though some drones can fly at up to 25–35 mph winds but your footage can be disappointing. Your drone stabilization settings can rescue you but not as shooting on a low wind atmosphere, even there is limit to what your editing software can do correct this. Therefore flying your drone to shoot at sunrise or sun set will add the desire cinematic visual to make your video shoot outstanding.
Method of Shooting

drone controller
1.Shooting Speed
Familiarize your self with your shooting location before the real shooting time, this will enable you to know your key focus area as not to miss out on most important scene. Move at a slow pace so as to have a better control and add cinematic creativity touch to your visual. Take charge of your RC stick on the remote control by using gradual movements and remember to accelerate and decelerate slowly.
2. Adopt Two Axis Movements
Two axis movements are commonly watch in movie such that you will be flying backwards and downwards at the same time, at a smooth, steady rate.




3. Use Sideways Movement
Sideways movements is the best way to show exciting land features to capture landscapes from a different perspective. It add a flipping visual feel that makes your shots outstanding.
4. Through Shots Movement
To use the through shots movement, you must have an A confident in your piloting skills because it is very risky because you will rely on your controller screen (FPV) in order to navigate your drone through shot. Therefore, you have to concentrate and at the end the cinematography touch and cinematic footage will worth the risk.
5. Orbit Techniques
Orbit movement is the use of the rotation controller to switch to the right or left, and also pulling the yaw stick on the left side of the controller that controls the drone’s rotation in the opposing direction. But you must thread softly using this method because you can kill the effect if you move faster or too quick.
6. Parallax Movement
Using extreme parallax effect movements showcase a closer depth of the landscape often with trees or structures closer to the drone, provide a broader surrounding landscape view. An epic view that add another twist to your story telling.
These are few techniques you can adopt to fly your drone, here are lot of way you can add creativity to the way you fly your drone depending on your skill and what perspective you are shooting.

READ  How To Create A Video Studio From Low To High Budget

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Cinematography

How To Create A Video Studio From Low To High Budget

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Creating a professional Video studio might cost thousands to millions of dollars investment depend on how professional you want to go in setting up and not every one could afford investing so huge especially for startups creative mind. But the truth remains that you can make your dream of creating your own video studio becomes a reality with little bucks of dollar investment and still work like a pro.
In this article, we are going to learn from Ashley Hockney is the Content Marketer & Writer at Teachable as she discuss the two options of creating your own video studio from a low budget as well as upgrading your budget. (more…)

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Cinematography

How to shoot a film look video with smoke or fog machine

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Utilizing smoke or fog machine can be to a great degree gainful in circumstances where you tend to utilize different light sources that will be obvious in your shots, yet there are numerous different occasions where this method may likewise prove to be useful.

One of the essential takeaways worth saying here is the way that you would prefer not to exaggerate with the mist, as this is one of the simplest approaches to destroy your shot. You additionally need to spread the dimness uniformly all through the room, utilizing some kind of fan, and make it undetectable in camera and to your crowd.

Notwithstanding including a touch of haze can definitely enhance the vibe of your shot, particularly in low light circumstances where utilizing just several light sources will be all that could possibly be needed to create a staggering Spielberg-style symbolism.

The uplifting news is that haze machines are a to a great degree moderate bit of gear and an awesome beginning stage. You can undoubtedly get one for around 50-100 dollars or somewhere in the vicinity, contingent upon the fluid that you will utilize.

In the event that you need to plunge your toes in the water and spend some additional money for a more expert instrument you can get a hazer, that disperses a more slender more imperceptible murkiness contrasted with a customary passage level haze machine.

Hazers are intended to run consistently and are generally constantly prepared go while a mist machine discharges blasts of haze and afterward for the most part need to stop to warm

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At last, there are such a variety of looks that you can accomplish using either a haze machine or hazer that I urge you to get one and do some test all alone. I’m almost certain that you will be more than astounded by the plenty of elaborate, specialized, and tasteful outcomes you can get, regardless of on the off chance that you will shoot a sunshine inside or some dreadful low-light scene.

Atmosphere Aerosol enables photographers and filmmakers to quickly, easily, and safely create fog or haze for photos and film.

How To Use Atmosphere Aerosol
– Shake can well before using.
– Spray in room or still area for 20 seconds or more.
– Atmosphere Aerosol will linger in the air for minutes for photos and films.
VERY IMPORTANT! Back lighting is required to see haze or fog. Position and amount of light will determine the look of the fog or haze.
– Re-spray as needed.

Tips for Shooting Outdoors

Spray Atmosphere Aerosol in the air behind the subject, so it will spread out evenly throughout the scene. If there is a breeze, spray Atmosphere into the wind in order to disperse the haze as it travels downwind.

Tips for Shooting Indoors Using Natural Light

The shooting indoors with natural light coming through the windows. The air was still, the windows should be closed, Do not put on fans or air conditioning vents. Something to look for when using Atmosphere Aerosol indoors with natural light is direct light hitting the wall or floor.

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Position your subject or subjects and spray Atmosphere Aerosol into the light. The position of the light and the amount of Atmosphere Aerosol used will determine the look of the haze.

Tips for Shooting With Artificial Light

You can create the illusion of the sun with a light source (i.e., speed light, strobe, or video light).

Color gels can also add creativity to your photos
You can improvised lightning into the barn wall in order to cut and shape the light into rays.

How Atmosphere aerosol works and tips as advised by Aerosol. Find more answers to possible question about atmosphere aerosol here

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Cinematography

How to create a dynamic cinematography depth

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How would you make profundity when you’re working with a two-dimensional medium?

One of the principal things you find out about when examining cinematography is organization, and one of the primary things you find out about creation is essential stylish hypothesis: symmetry versus asymmetry, vitality, shading, weight, vertices, and so forth. At that point, some place close to the end of the class, the back of your course book, the last two minutes of the workshop, you catch wind of profundity – not on the grounds that it’s insignificant, but rather on the grounds that making it takes somewhat more artfulness than focusing your subject in the edge.

The best cinematographers are known for (in addition to other things) making the deception of profundity by utilizing various astute procedures and here to separate five of them in this 3-minute video is honor winning business cinematographer Matthew Rosen.

Here are the methods Rosen clarifies in his video:

High Differentiation Lighting

Great lighting can not just add measurement and profundity to your arrangements, however it can make your film resemble a million bucks. As Rosen says in the video, delicate, notwithstanding lighting has a tendency to straighten pictures, while lighting with harsher shadows with quick falloff tends to give the figment of profundity. For cases of this sort of lighting, you can’t get any more exceptional and obvious than film noir, who made chiaroscuro lighting one of its numerous trademarks.

Center

We’re talking shallow profundity of field here – a similar impact that happens when your eyes concentrate on something near you. Normally, when we see this on-screen, our brains decipher it as profundity. (Be that as it may, profound profundity of field doesn’t, by complexity, recommend absence of profundity. Gregg Toland, for instance, expertly plays with profound concentration in the notorious shot in Resident Kane.)

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Point of view

In case you’re a professional and have any sort of experience, you realize that utilizing shallow profundity of field is somewhat – well – we should simply say it’s the thing you do the most when you first get your hands on a camera with a decent focal point. When you develop as a movie producer/cinematographer, you understand that you must get your hands grimy, get somewhat innovative, move around – um – change your point of view. The colossal thing about this procedure, is that it makes profundity, as well as it raises the tasteful vitality of a piece. Utilizing a wide range of vertices makes the shot a great deal more dynamic.

Parallax

Like point of view (a high differentiation lighting, as well), the parallax impact serves to make profundity, and in addition to make the shot more dynamic. It does this by including “dynamic vitality” – tasteful vitality made by moving the camera. A static shot includes close to nothing (assuming any) tasteful vitality to a shot, yet a moving camera can transform what was at one time a drilling still shot into a scene that pulls your gathering of people in. Actually, it’s frequently said that including a moving camera and moving subjects (e.g. individuals, autos, and so forth.) is the condition for high dynamic – and in this manner tasteful – vitality. At the end of the day, on the off chance that you move your camera around individuals and things that are likewise moving, your shot will presumably look wonderful.

Impediment

A similar thing that happens in the characteristic world – things that are nearer to our eyes shut out things that are further when they go before them. Basic as pie – however the possibility of utilizing this impact may not be as evident when arranging your shots in pre-creation.

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There are numerous more strategies you can use to make profundity, yet ideally these five will at any rate kick you off making more dynamic shots.

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