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How to shoot Your First Video Like A Proffessional



Shooting a video can be fun especially when you can not take your eyes of that memorable scene you never want to forget in a rush, This may be at festival, during holidays adventure, party etc.
Whenever i m with my camcorder, i just have something to capture and most time your video does not have to be a special events or human activities. the last footage on my camera was a video of that magnificent sky view i shoot after a heavy down pour, the sky blue was so real with some reflection of rainbow color, in fact you need to watch nature bringing hope to a brighter day.
Shooting a video as a professional is more than taking your camcorder out of its pouch and pressing the red button to record. I m sure you will begin to shoot like a pro by learning a little here, just read along this few tips of mine you must consider while shooting your first video like a pro.
* Get Familiar With Your Camera
The moment you get hold of that weapon either camcorder or more digital camera like any of the DSLR canon series 7D,5D,60D and the rest you must begin to have that confidence of a pro. If your camera is new, endeavor to read and study the manual inside out to know the settings from the menu, know where the shutter is and both auto and manual focus. study all the external feautures and get ready to shoot.
*Get Ready
Now that you are ready to shoot, the following accessories must be with you and you must bring along to your shooting location.
– Your battery charger and power supply extension
– A Fully charge extra battery that can be change when the first is exhausted
– Your Tripod stand as well as your shoulder mount rig if at all you have one but your tripod is a must for shots stability.
– Your lens might attract dust or get smudge therefore there is need to have a lens cloth handy for cleaning.
– A reflector might be useful, do not forget as well
– Your lighting gear and filter must top your accessories priority and do not forget your boom mic as well.
* Lighting
It is very important to put more emphasis on lighting because a good picture quality depends largely on light. Either you will be using your light gears or reflector, they both serves as a source of lighting but at different depth otherwise, you may end up with noisy video. Even if its an out door shooting, depending on the weather, you might need light because you can not absolutely depend on the reflector as its works better with sunlight ray or surrounding light reflection.

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* Time
Though you can shoot at anytime either indoor or outdoor but i will advice you to shoot in the morning or late afternoon when the sunlight intensity is at its barest.
* Indoor Shooting
When shooting indoor, you will need more light than when shooting outdoor, so you need to bring to the location as much light that you need.

Camera Settings

Do a proper setting of your camera white balancing and aperture adjustment so as to maintain balance with the depth of your lighting, More so, if you are shooting under low light, i will advice you to switch to auto focus and ISO settings. but your ISO settings depends largely on your camera to avoid grainy or noisy footage.

* Shooting
When you are ready for the proper shooting, take into consideration the following tips:
– Mount your camera on a tripod or a shoulder mount rig for shot stability
– Avoid digital zooming, in fact do not zoom because you will end up with a pix-elated or grainy video. If you think you need to get a wide angle shot, instead of zooming i will advice you to zoom your leg or tripod, meaning that move closer to your object and take a stable closer shot you desire unless you are using more pro gear like dolly or track that allow stability panning.
* Spice Up With B-roll Shots
B-roll shots is the spice of every video. It makes your video much more interesting and add live to it when you mix up with the main or primary shot during editing. Have you notice a music video showing that chick pink lips or booty as she walk along, that guy bling or a close shot of its leg as he splash into that pool of water with his timberland boot. May be in a wedding ceremony, a close shot of those magnificent decoration alone, close angle shot of the ring, in fact anything can be your B-roll shot, yes a unique scene that will animate your story line, that is what B-roll shots is all about. Its always short shots but an exciting punchline shots.

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How To Create A Video Studio From Low To High Budget



Creating a professional Video studio might cost thousands to millions of dollars investment depend on how professional you want to go in setting up and not every one could afford investing so huge especially for startups creative mind. But the truth remains that you can make your dream of creating your own video studio becomes a reality with little bucks of dollar investment and still work like a pro.
In this article, we are going to learn from Ashley Hockney is the Content Marketer & Writer at Teachable as she discuss the two options of creating your own video studio from a low budget as well as upgrading your budget. (more…)

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How to shoot a film look video with smoke or fog machine



Utilizing smoke or fog machine can be to a great degree gainful in circumstances where you tend to utilize different light sources that will be obvious in your shots, yet there are numerous different occasions where this method may likewise prove to be useful.

One of the essential takeaways worth saying here is the way that you would prefer not to exaggerate with the mist, as this is one of the simplest approaches to destroy your shot. You additionally need to spread the dimness uniformly all through the room, utilizing some kind of fan, and make it undetectable in camera and to your crowd.

Notwithstanding including a touch of haze can definitely enhance the vibe of your shot, particularly in low light circumstances where utilizing just several light sources will be all that could possibly be needed to create a staggering Spielberg-style symbolism.

The uplifting news is that haze machines are a to a great degree moderate bit of gear and an awesome beginning stage. You can undoubtedly get one for around 50-100 dollars or somewhere in the vicinity, contingent upon the fluid that you will utilize.

In the event that you need to plunge your toes in the water and spend some additional money for a more expert instrument you can get a hazer, that disperses a more slender more imperceptible murkiness contrasted with a customary passage level haze machine.

Hazers are intended to run consistently and are generally constantly prepared go while a mist machine discharges blasts of haze and afterward for the most part need to stop to warm

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At last, there are such a variety of looks that you can accomplish using either a haze machine or hazer that I urge you to get one and do some test all alone. I’m almost certain that you will be more than astounded by the plenty of elaborate, specialized, and tasteful outcomes you can get, regardless of on the off chance that you will shoot a sunshine inside or some dreadful low-light scene.

Atmosphere Aerosol enables photographers and filmmakers to quickly, easily, and safely create fog or haze for photos and film.

How To Use Atmosphere Aerosol
– Shake can well before using.
– Spray in room or still area for 20 seconds or more.
– Atmosphere Aerosol will linger in the air for minutes for photos and films.
VERY IMPORTANT! Back lighting is required to see haze or fog. Position and amount of light will determine the look of the fog or haze.
– Re-spray as needed.

Tips for Shooting Outdoors

Spray Atmosphere Aerosol in the air behind the subject, so it will spread out evenly throughout the scene. If there is a breeze, spray Atmosphere into the wind in order to disperse the haze as it travels downwind.

Tips for Shooting Indoors Using Natural Light

The shooting indoors with natural light coming through the windows. The air was still, the windows should be closed, Do not put on fans or air conditioning vents. Something to look for when using Atmosphere Aerosol indoors with natural light is direct light hitting the wall or floor.

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Position your subject or subjects and spray Atmosphere Aerosol into the light. The position of the light and the amount of Atmosphere Aerosol used will determine the look of the haze.

Tips for Shooting With Artificial Light

You can create the illusion of the sun with a light source (i.e., speed light, strobe, or video light).

Color gels can also add creativity to your photos
You can improvised lightning into the barn wall in order to cut and shape the light into rays.

How Atmosphere aerosol works and tips as advised by Aerosol. Find more answers to possible question about atmosphere aerosol here

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How to create a dynamic cinematography depth



How would you make profundity when you’re working with a two-dimensional medium?

One of the principal things you find out about when examining cinematography is organization, and one of the primary things you find out about creation is essential stylish hypothesis: symmetry versus asymmetry, vitality, shading, weight, vertices, and so forth. At that point, some place close to the end of the class, the back of your course book, the last two minutes of the workshop, you catch wind of profundity – not on the grounds that it’s insignificant, but rather on the grounds that making it takes somewhat more artfulness than focusing your subject in the edge.

The best cinematographers are known for (in addition to other things) making the deception of profundity by utilizing various astute procedures and here to separate five of them in this 3-minute video is honor winning business cinematographer Matthew Rosen.

Here are the methods Rosen clarifies in his video:

High Differentiation Lighting

Great lighting can not just add measurement and profundity to your arrangements, however it can make your film resemble a million bucks. As Rosen says in the video, delicate, notwithstanding lighting has a tendency to straighten pictures, while lighting with harsher shadows with quick falloff tends to give the figment of profundity. For cases of this sort of lighting, you can’t get any more exceptional and obvious than film noir, who made chiaroscuro lighting one of its numerous trademarks.


We’re talking shallow profundity of field here – a similar impact that happens when your eyes concentrate on something near you. Normally, when we see this on-screen, our brains decipher it as profundity. (Be that as it may, profound profundity of field doesn’t, by complexity, recommend absence of profundity. Gregg Toland, for instance, expertly plays with profound concentration in the notorious shot in Resident Kane.)

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Point of view

In case you’re a professional and have any sort of experience, you realize that utilizing shallow profundity of field is somewhat – well – we should simply say it’s the thing you do the most when you first get your hands on a camera with a decent focal point. When you develop as a movie producer/cinematographer, you understand that you must get your hands grimy, get somewhat innovative, move around – um – change your point of view. The colossal thing about this procedure, is that it makes profundity, as well as it raises the tasteful vitality of a piece. Utilizing a wide range of vertices makes the shot a great deal more dynamic.


Like point of view (a high differentiation lighting, as well), the parallax impact serves to make profundity, and in addition to make the shot more dynamic. It does this by including “dynamic vitality” – tasteful vitality made by moving the camera. A static shot includes close to nothing (assuming any) tasteful vitality to a shot, yet a moving camera can transform what was at one time a drilling still shot into a scene that pulls your gathering of people in. Actually, it’s frequently said that including a moving camera and moving subjects (e.g. individuals, autos, and so forth.) is the condition for high dynamic – and in this manner tasteful – vitality. At the end of the day, on the off chance that you move your camera around individuals and things that are likewise moving, your shot will presumably look wonderful.


A similar thing that happens in the characteristic world – things that are nearer to our eyes shut out things that are further when they go before them. Basic as pie – however the possibility of utilizing this impact may not be as evident when arranging your shots in pre-creation.

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There are numerous more strategies you can use to make profundity, yet ideally these five will at any rate kick you off making more dynamic shots.


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