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How To Diffrenciate Between A wedding Videographer and A wedding Cinematographer

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I was with a clients the other day to negotiate for a wedding video shoot and when i gave the couple my budget for the project, they were of the opinion that my charges is higher than what other charges. They compared my budget to what a friend pay a video guy some months ago for the same wedding project. I took my time to explain to the couple my perspective to their wedding shoot, iam shooting” a video documentary for you not the common video coverage” I explained.
As a cinematographer, it took me a lot of time to convince them and accept my request for the video budget as well as showing them my past wedding videos reel. The couple cant but thank me that they love every moments and shots in their wedding documentary video. “Its like i am watching a movie” the bride says with smile.
You might have find yourself in the same situation or have been longing to know the difference between a wedding videographer and a wedding cinematographer.
Making entry into video production is more realistic these days with video cameras everywhere at party, wedding ceremonies, events and functions. At a press of recording button on camcorder cameras, smartphones etc anybody can claim to make a video out of those device, but does the handler of these camera devices really make a cinematic video? Absolutely No.
As a wedding videographer or Cinematographer, our style and skill of capturing weddings is different, this will make the question come up again that: What is the differences between a wedding videographer and a wedding cinematographer.
A videographer equipment are not sophisticated like that of a cinematographer which will explain the difference in their filming techiques and image quality,its just like comparing a home video quality to a movie picture quality. A videographer do a direct capturing of events without any scripts to story telling which at the end will make the contents boring with either a single camera view with little or no professional angle shots. Most wedding videographer still thrive in the almost extinct word of analogue gear with no digital touch e.g shooting with cameras using tape to capture and a filming techniques with little or no lightning gear and camera using lenses of lower resolution. Videography does not creative as no artistry touch to its mode of capturing.




In comparison, a wedding cinematographer use creativity in his storytelling and capturing. A cinematographer shoot cinematic-ally paying detail attentions in capturing most magic moments in a weeding event, they do not just records all events, most memorable magic moment tops the priority of a cinematographer. A cinematographer adopt more than one camera in some cases in order to capture memorable shots happening simultaneously, They move around the events hall making the video has the desire motion picture touch taking exciting shots you could hardly imagine e.g Great gesture shots: smiling, laughing, tears, close shots,aerial shots, rare moments of pleasantries exchange of the couple and the crowd etc
A cinematographer use a digital camera and lenses of different sizes with great depth of shots e.g 4k and Mov output cameras, The common DSLR cameras with high definition output for best of picture quality.
The visual masterpiece of your wedding documentary is edited such that a wedding related soundbite is added to the story line to create a memorable wedding film.
A cinematographer make use of a movie creation tools in shooting a wedding video as to a videographer which makes use normal equipment which can be found in an electronic consumer store. Depending on the budget, a cinematographer can go to extra mile in addition to HD cameras using drone cameras or camera cranes, Shoulder stabilization Pro rig, lighting kits like truss light, moving heads etc Tape less workflow , wireless audio gadget, all these makes a good cinematographer.
More importantly, this article is to educate and to differentiate the difference between a videographer and a wedding cinematographer. Videographer also has its part to play in any wedding events. I will say your budget determine who you hire for your next wedding ceremony.
I will update More differences soon, mean while feel free to comment and add yours.

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Cinematography

How To Create A Video Studio From Low To High Budget

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Creating a professional Video studio might cost thousands to millions of dollars investment depend on how professional you want to go in setting up and not every one could afford investing so huge especially for startups creative mind. But the truth remains that you can make your dream of creating your own video studio becomes a reality with little bucks of dollar investment and still work like a pro.
In this article, we are going to learn from Ashley Hockney is the Content Marketer & Writer at Teachable as she discuss the two options of creating your own video studio from a low budget as well as upgrading your budget. (more…)

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Cinematography

How to shoot a film look video with smoke or fog machine

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Utilizing smoke or fog machine can be to a great degree gainful in circumstances where you tend to utilize different light sources that will be obvious in your shots, yet there are numerous different occasions where this method may likewise prove to be useful.

One of the essential takeaways worth saying here is the way that you would prefer not to exaggerate with the mist, as this is one of the simplest approaches to destroy your shot. You additionally need to spread the dimness uniformly all through the room, utilizing some kind of fan, and make it undetectable in camera and to your crowd.

Notwithstanding including a touch of haze can definitely enhance the vibe of your shot, particularly in low light circumstances where utilizing just several light sources will be all that could possibly be needed to create a staggering Spielberg-style symbolism.

The uplifting news is that haze machines are a to a great degree moderate bit of gear and an awesome beginning stage. You can undoubtedly get one for around 50-100 dollars or somewhere in the vicinity, contingent upon the fluid that you will utilize.

In the event that you need to plunge your toes in the water and spend some additional money for a more expert instrument you can get a hazer, that disperses a more slender more imperceptible murkiness contrasted with a customary passage level haze machine.

Hazers are intended to run consistently and are generally constantly prepared go while a mist machine discharges blasts of haze and afterward for the most part need to stop to warm

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At last, there are such a variety of looks that you can accomplish using either a haze machine or hazer that I urge you to get one and do some test all alone. I’m almost certain that you will be more than astounded by the plenty of elaborate, specialized, and tasteful outcomes you can get, regardless of on the off chance that you will shoot a sunshine inside or some dreadful low-light scene.

Atmosphere Aerosol enables photographers and filmmakers to quickly, easily, and safely create fog or haze for photos and film.

How To Use Atmosphere Aerosol
– Shake can well before using.
– Spray in room or still area for 20 seconds or more.
– Atmosphere Aerosol will linger in the air for minutes for photos and films.
VERY IMPORTANT! Back lighting is required to see haze or fog. Position and amount of light will determine the look of the fog or haze.
– Re-spray as needed.

Tips for Shooting Outdoors

Spray Atmosphere Aerosol in the air behind the subject, so it will spread out evenly throughout the scene. If there is a breeze, spray Atmosphere into the wind in order to disperse the haze as it travels downwind.

Tips for Shooting Indoors Using Natural Light

The shooting indoors with natural light coming through the windows. The air was still, the windows should be closed, Do not put on fans or air conditioning vents. Something to look for when using Atmosphere Aerosol indoors with natural light is direct light hitting the wall or floor.

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Position your subject or subjects and spray Atmosphere Aerosol into the light. The position of the light and the amount of Atmosphere Aerosol used will determine the look of the haze.

Tips for Shooting With Artificial Light

You can create the illusion of the sun with a light source (i.e., speed light, strobe, or video light).

Color gels can also add creativity to your photos
You can improvised lightning into the barn wall in order to cut and shape the light into rays.

How Atmosphere aerosol works and tips as advised by Aerosol. Find more answers to possible question about atmosphere aerosol here

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How to create a dynamic cinematography depth

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How would you make profundity when you’re working with a two-dimensional medium?

One of the principal things you find out about when examining cinematography is organization, and one of the primary things you find out about creation is essential stylish hypothesis: symmetry versus asymmetry, vitality, shading, weight, vertices, and so forth. At that point, some place close to the end of the class, the back of your course book, the last two minutes of the workshop, you catch wind of profundity – not on the grounds that it’s insignificant, but rather on the grounds that making it takes somewhat more artfulness than focusing your subject in the edge.

The best cinematographers are known for (in addition to other things) making the deception of profundity by utilizing various astute procedures and here to separate five of them in this 3-minute video is honor winning business cinematographer Matthew Rosen.

Here are the methods Rosen clarifies in his video:

High Differentiation Lighting

Great lighting can not just add measurement and profundity to your arrangements, however it can make your film resemble a million bucks. As Rosen says in the video, delicate, notwithstanding lighting has a tendency to straighten pictures, while lighting with harsher shadows with quick falloff tends to give the figment of profundity. For cases of this sort of lighting, you can’t get any more exceptional and obvious than film noir, who made chiaroscuro lighting one of its numerous trademarks.

Center

We’re talking shallow profundity of field here – a similar impact that happens when your eyes concentrate on something near you. Normally, when we see this on-screen, our brains decipher it as profundity. (Be that as it may, profound profundity of field doesn’t, by complexity, recommend absence of profundity. Gregg Toland, for instance, expertly plays with profound concentration in the notorious shot in Resident Kane.)

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Point of view

In case you’re a professional and have any sort of experience, you realize that utilizing shallow profundity of field is somewhat – well – we should simply say it’s the thing you do the most when you first get your hands on a camera with a decent focal point. When you develop as a movie producer/cinematographer, you understand that you must get your hands grimy, get somewhat innovative, move around – um – change your point of view. The colossal thing about this procedure, is that it makes profundity, as well as it raises the tasteful vitality of a piece. Utilizing a wide range of vertices makes the shot a great deal more dynamic.

Parallax

Like point of view (a high differentiation lighting, as well), the parallax impact serves to make profundity, and in addition to make the shot more dynamic. It does this by including “dynamic vitality” – tasteful vitality made by moving the camera. A static shot includes close to nothing (assuming any) tasteful vitality to a shot, yet a moving camera can transform what was at one time a drilling still shot into a scene that pulls your gathering of people in. Actually, it’s frequently said that including a moving camera and moving subjects (e.g. individuals, autos, and so forth.) is the condition for high dynamic – and in this manner tasteful – vitality. At the end of the day, on the off chance that you move your camera around individuals and things that are likewise moving, your shot will presumably look wonderful.

Impediment

A similar thing that happens in the characteristic world – things that are nearer to our eyes shut out things that are further when they go before them. Basic as pie – however the possibility of utilizing this impact may not be as evident when arranging your shots in pre-creation.

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There are numerous more strategies you can use to make profundity, yet ideally these five will at any rate kick you off making more dynamic shots.

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