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Do I need A Degree To Become A Photographer?

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This is the same question that has probably troubling your mind or you have the passion for photography and you are thinking of starting a career as a photographer. Do you need a degree to become one? Well before you have these thought, you must have seen works from exceptional photographer doing good in their respective field because there are lot of specialized niche or categories you can venture into like been a wedding photographer, Nature photographer, Fashion photographer. Anyway that is a broad discussion on its own.

Although there are no standard education requirements for many photography careers,But formal training or education can become a job traffic opportunities for you.
Photographers make use of technical skills and creativity to create images to that keep memory of events or anything visual. There are so much benefits apart from been a passionate photographer the money will start to follow you soon especially if you are talented in what you do by just capturing life events that create a lasting happy memory, you become most sought after.
Skills
As a Photographers must also have important personal qualities to become successful. You are required to have artistic skills to be successful and understand how to use lighting, shades and colors. Most jobs in photography require you to work directly with the public, so your attitude and interpersonal skills are most essential. You must understand the use of modern software in editing your work, this will make you a real master of your craft
Photography School
You can sharpen your photography skill by enrolling in high school may be a diploma in photography School. This can be an added advantage that will give you edge in the photography market because Some industries, such as photojournalism and science, often require a bachelor’s degree in a discipline related to their industry. Some important courses such Fields of photography,, technical and computer applications, lighting and darkroom techniques related to photography and its history will also be taught.




Vocational Training
Thousands of vocational schools, colleges and art schools are all over the world that offer photography training. In these vocational schools you can obtain a diploma or certification after successful completion of training. The business and marketing side of photography, Basic photography techniques, as well as other core will be taught. This will equipped you to become master of your craft.

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Summary

Having a degree or no degree is never a barrier to becoming a photographer because this is one craft that is driven by passion for most people and they have emerge to be a great photographer in their respective field but nevertheless if you have a degree, you will have edge over others in a situation where your degree background is the requirement to get you a big job. You must also know that irrespective of the  degree you have from other field, your employee will still take you through some form of training to sharpen your skill. My advice is that if you have the finance, enroll at a photography school or otherwise a vocational school because you will need one form of training or the other.

Grab a camera today and start shooting, did I hear you say just like that! That is it, you need to be trained you cannot just wake up one day and become a good to go photographer. well experiment with your smartphone in the mean time( lol).

What Type Of Camera Do I Need As A Beginner….Coming Soon

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Cinematography

How to shoot a film look video with smoke or fog machine

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Utilizing smoke or fog machine can be to a great degree gainful in circumstances where you tend to utilize different light sources that will be obvious in your shots, yet there are numerous different occasions where this method may likewise prove to be useful.

One of the essential takeaways worth saying here is the way that you would prefer not to exaggerate with the mist, as this is one of the simplest approaches to destroy your shot. You additionally need to spread the dimness uniformly all through the room, utilizing some kind of fan, and make it undetectable in camera and to your crowd.

Notwithstanding including a touch of haze can definitely enhance the vibe of your shot, particularly in low light circumstances where utilizing just several light sources will be all that could possibly be needed to create a staggering Spielberg-style symbolism.

The uplifting news is that haze machines are a to a great degree moderate bit of gear and an awesome beginning stage. You can undoubtedly get one for around 50-100 dollars or somewhere in the vicinity, contingent upon the fluid that you will utilize.

In the event that you need to plunge your toes in the water and spend some additional money for a more expert instrument you can get a hazer, that disperses a more slender more imperceptible murkiness contrasted with a customary passage level haze machine.

Hazers are intended to run consistently and are generally constantly prepared go while a mist machine discharges blasts of haze and afterward for the most part need to stop to warm

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At last, there are such a variety of looks that you can accomplish using either a haze machine or hazer that I urge you to get one and do some test all alone. I’m almost certain that you will be more than astounded by the plenty of elaborate, specialized, and tasteful outcomes you can get, regardless of on the off chance that you will shoot a sunshine inside or some dreadful low-light scene.

Atmosphere Aerosol enables photographers and filmmakers to quickly, easily, and safely create fog or haze for photos and film.

How To Use Atmosphere Aerosol
– Shake can well before using.
– Spray in room or still area for 20 seconds or more.
– Atmosphere Aerosol will linger in the air for minutes for photos and films.
VERY IMPORTANT! Back lighting is required to see haze or fog. Position and amount of light will determine the look of the fog or haze.
– Re-spray as needed.

Tips for Shooting Outdoors

Spray Atmosphere Aerosol in the air behind the subject, so it will spread out evenly throughout the scene. If there is a breeze, spray Atmosphere into the wind in order to disperse the haze as it travels downwind.

Tips for Shooting Indoors Using Natural Light

The shooting indoors with natural light coming through the windows. The air was still, the windows should be closed, Do not put on fans or air conditioning vents. Something to look for when using Atmosphere Aerosol indoors with natural light is direct light hitting the wall or floor.

See also  Most Dangerous Photography Field And Tips To Avoid Danger

Position your subject or subjects and spray Atmosphere Aerosol into the light. The position of the light and the amount of Atmosphere Aerosol used will determine the look of the haze.

Tips for Shooting With Artificial Light

You can create the illusion of the sun with a light source (i.e., speed light, strobe, or video light).

Color gels can also add creativity to your photos
You can improvised lightning into the barn wall in order to cut and shape the light into rays.

How Atmosphere aerosol works and tips as advised by Aerosol. Find more answers to possible question about atmosphere aerosol here

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Photography

Most Dangerous Photography Field And Tips To Avoid Danger

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Photography Job might be fun and fulfilling if you are so passionate about the craft. But is also very important to pay attention to some most dangerous field of photography work.

According to National Geographic (NG), the official journal of the National Geographic Society and wildly popular with adventurers and explorers since 1888, lists the six riskiest, hair-raising ones. They are the jobs that can launch a photographer or photojournalism career and produce awe-inspiring iconic images

The National Geographic article has tips on tools, techniques and gear to pack for each of the six assignments. The information is really helpful even if you’re not going pro. Here are the six most dangerous jobs and a few insiders’ tips of the trade for photographers that work in these specialized fields.

War

War correspondents and photographers go where the action is and the war is most fierce to capture moments. Robert Capa and others made their careers while risking their lives to get the photo story in war-torn countries around the world.





Wildlife

Lions, tigers and bears and other wildlife creatures are magnificent to photograph in their natural environments.

Tips: use telephoto lens for close-ups so you don’t have to get too close up, photograph the animal’s eyes, and anticipate action i.e. they may charge you.

Motorsport

NASCAR, the Indy 500 and auto racing are exciting for audiences and produce mind-bending pictures of sports cars racing around the turn.

Tips: shoot at the center point of the bend in the racetrack, use manual focus, and tilting the camera gives the illusion of speed.  Tilting the camera works.

Underwater

Jacques Cousteau was a scientist and explorer that worked with talented underwater photographers and really helped to build this genre.  If you are a skilled diver not afraid of sharks, this may be the career for you.

Tips:  take photos at 3-4 feet deep, turn the camera upside down for less shadow, and use white balance and internal flash at 3 feet.

Caving

Caving is a fun sport or hike if you’re not claustrophobic.  I’ve done caving and started with large, colorful caves that are well-maintained by a national or state park service.

Tips: put someone in the shot for scale, wear safety gear and LED head lamp for a light source.  I’d add photographing by or near an underground water source like a lake for reflections and additional interesting shots.

Weather and Disasters

Well most people run for cover when hurricanes, earthquakes and other bad weather and disasters occur; photographers run for their camera.

Tips: use a tripod in high wind conditions, protective eye gear, and slow shutter speed to catch the raindrops, high ISO and not flash.  I’d add rain gear.

 Furthermore, you need to pay attention to some potential risk that you must encounter in the photography line of duties.  Here are some three risk you must be prepared for as a photographer:

1. Camera Equipment Damage

The energizing thing about functioning as a photographic artist is that your workspace is continually evolving. One day you could be in a studio and the following day you could be catching valuable minutes at a sea shore wedding. Be that as it may, no one can really tell what the following photography meeting will have in hold for your costly gear.

For instance, your next photography work takes you to the sea shore, and you are there to shoot a wedding meeting for your new customers. Towards the finish of the meeting, the dusk lighting is almost great, and you choose to rapidly change your camera focal point. As you are doing the switch, your camera focal point slips from your fingers and breaks on the sharp shoreline rocks.

How Photography Insurance Works For You

You may have effectively experienced a comparable camera hardware accident before and see how costly supplanting gear can be out of your pocket. With photography protection, you can find harmony of psyche realizing that your protection may help cover the expense of supplanting your stuff or fixing the harm.

2. A Client Sustains An Injury During A Photoshoot

During a photography meeting, an aspect of your responsibilities may incorporate guiding your customers to represent a specific way. Nonetheless, your guidelines may prompt a mishap, and your customers could expect you to take responsibility for their wounds.

For instance, you meet your customer’s family in a rich knoll loaded up with wildflowers, and you request that the family clasp hands with each other while strolling towards you. Since everybody is gazing toward the camera, they aren’t really focusing on where they are strolling and calamity strikes. One of your customers slips on lopsided ground and harms their lower leg.

How Photography Insurance Works For You

Not exclusively will you be on the snare for their hospital expenses, yet your customer may indict you for loss of pay from the injury they maintained. Regardless of whether you’re not found responsible, you may in any case have to take care of legitimate bills, and photography protection can help cover those costs.

3. Leased Property Damage

Since each photograph shoot brings another setting and a bunch of obscure conditions, a space that you choose to lease for a meeting is the same. There are an assortment of pieces inside a leased scene that can be defenseless to harm, like deck, dividers, furniture, and home style things.

For instance, you lease a pleasant estate on the East coast for an adapted photograph shoot you have been making arrangements for months. You set up your lighting hardware and a model unintentionally stumbles over the rope. Because of the fall, the lighting hardware pushes over lit candles and causes a little fire.

How Photography Insurance Works For You

In the event that property harm happens while you’re leasing a space, photography protection could help cover the expense of fixing the harm brought about by the occurrence. Contingent upon the seriousness, the expense of fixing fire harm could cost hundreds or thousands of dollars.

The last thing you need to do is leave your business helpless against sudden factors that are altogether out of your control, for example, hardware harm, property harm, and substantial injury.

One grievous occurrence could prompt you losing hundreds, possibly a large number of dollars that you’ll need to pay using cash on hand. With photography protection, you can have confidence that your business is secured and will not need to bear devastating costs all alone.

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Photography

Use Of Reflector To Improve Your Picture Quality

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Light is most essential to either Video or photography works. Reflector is one of the least expensive, yet highly versatile lighting gear you must have when shooting. Reflector can be used to bounce, diffuse natural and artificial light to improve your picture quality.Therefore, reflector is a very important lighting gear especially if you do not want to be carrying light all about as reflector comes handy and in different sizes and shape.
Reflector can be use in both video shooting and photography, but much emphasis will be on the use of reflector in photography but can be applied to video as well. Before I Proceed, let us take a look at reflector in term of sizes and shapes and color.

reflector
Sizes And Color
Reflector sizes ranges in different sizes depending on the need but i will recommend 40” reflector that is collapsible because it is easy to use and has several surfaces that can be changed from silver, gold, black and white and its very handy but for studio use you can go for something more big to have a wider reflecting surface. Depending on your need just go for any sizes you think is ok for you.
The Color
Silver Color surface can increase highlights and yield a high-contrast image. Great for video, product shots, or black and white photography.
Gold Color surface produces a natural, golden warm fill that is great for sunsets or indoor portraits.
White Color surface can be use to bounce light that works beautifully as a fill light source.
Black is used to block light or can be used to subtract light.
Translucent fabric is used to diffuse light, producing a broad light source and a soft effect.

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reflector colors
Positioning During Shooting
Your reflection positioning should be in front of your subject and your subject will back the source of the main light or reflecting source.Do not allow your subject to look directly at the reflector because it can produce a straining effect to the sight depending of the bounce light intensity.
When shooting outdoor, make use of natural lighting like sun reflection as your Back lighting and place a reflector almost directly in front of the subject, you can bounce the sunlight at your subject background to add soft, even lighting to the foreground. You can adjust the positioning to ensure proper reflecting by moving the reflector to the side, you can control the amount of shadows on the subject to add a little drama and dimension.




You may notice shadow casting on your subject, may be due to the shadow reflection of surrounding objects like tree, building or it might be vegetation shadows you can hardly detect, What to do is to place a reflector, angled up, directly in front of the subject to soften the shadows and an evenly soften lit reflection is achieved that chase away the shadow.
In a situation where the shadow is heavy to the extent that you notice heavy shadow under the eyes or chin, You will need more than one reflector in this situation. Set one reflector at an angle directly under the subject and Use the other reflector as a key light by targeting where the most sunlight is present, this will definitely work to bounce as much light onto the subject and separate them from the background to avoid a flat image.
In most cases reflector serves as a key light especially outside shooting when you do not bring any other lighting gear to the location. Key your reflector by simply placing opposite of your main light source which is natural light source to creates a great bounce effect for fill light on your subject.

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These are just few tips on how you can use reflector to improve your picture quality. Feel free to Comment .

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